Sailor Noom is a disabled artist working with the concept that time is more readily perceived by the disabled, both slowed down and sped up. As such they are developing a form of animation that is both entirely slow at times and entirely fast at times. The animations are made up of these digital paintings, which are known as Graph Science Paintings. They are made on a glitchy version of Photoshop and After Effects and sometimes pull images from the Dark Web. They developed Graph Science (also known as a digital form of Graffiti Art) as a genre using Sachi style techniques of non-disclosure to avoid censorship. The works are either raw or edited and re-edited from the detritus of 3,000 paintings made during quarantine in Covid-19.

She holds an MFA from Low-Residency at School of the Art Institute of Chicago and a BFA and BA from Parsons and Eugene Lang at The New School. She is concerned with thinking through object-oriented feminism and time-based art, when decoding social norms and cultural intersections through radical humor. Writing is at the core of her practice as is the poetics of place. They are an immigrant/refugee of the Iran/Iraq War and much of their work is concerned with the radical joy that is at the core of mourning. There are those that have referred to her practice as that of a death doula. They work within the axis of healing as a space for multiplying meaning through translation and embodiment. Many of the works were made during quarantine and are also concerned with the aftermath of that stillness.